La vie, l'amour et... Molière

Opening February 17th, 2022, and only for five nights, The Russian Arts Theater & Studio in New york celebrates the 400th anniversary of the birth of the famous French author.

On cold February evenings, it’s always nice to feel warmth, passion, happiness, and inclusiveness. So on Saturday, February 19, I decided to visit the Russian Arts Theater & Studio. The theater was presenting a marvelous play dedicated to the 400th anniversary of Moliere, a 17th-century French playwright. 

Aleksey Burago, a very talented Russian director, was able to create a light, funny and realistic play, representing the time Moliere lived in. The play was genuinely unforgettable between the bright costumes, tights, dresses, shoes, candlelight illuminating the whole set and the great set design made to resemble French theater! 
The play is set in a theater, where Moliere is getting ready to show the king his new play, and the audience is simultaneously watching the play and taking part in it. The theater exists simultaneously in 21st century New York and 17th century Paris. Even though the presentation is scheduled for that day, actors do not know their roles and don’t want to rehearse. So instead, they are replaying scenes from their old plays: Versailles Impromptu, The Misanthrope, Tartuffe, The Miser, and Don Juan. 
What was most exciting was that all the viewers were engaged in the play. Since the audience was, to some degree, truly part of the play, they felt like they were participating in everything that was happening along with the actors. I myself got worried that nothing was ready and I didn’t know my part! And some of the actors were entering right from the auditorium, talking to everybody on their way to the stage, which made everyone feel included. 

The cast of extremely talented and diverse actors, including Albert Baker, Michael Anne Hoffert-Cone, Luisa Menzen, Robyne Parrish, Tom Schubert, Naira Zakaryan, and Di Zhu, were able to play each of their different roles very brightly and convincingly.

Tom Schubert was exquisite in the role of Moliere! Deeply worried about his reputation, not able to coordinate the actors, he was funny and enjoyable to watch! His ability to rapidly switch between roles without missing a line can only be envied!
Di Zhu, who played Mademoiselle Molière, showed a jealous wife who doesn’t like not being heard and appreciated by her husband. She was able to make every woman think about their men and every man think twice about neglecting the woman they love. 
All of the actors had very palpable chemistry that everyone in the audience could feel from the first few minutes. They were playful, flirtatious, and charming.
Mr. Burago said that this was his goal. He wanted to create something funny and warm that would reflect Moliere’s life, work, and lifestyle. 
The director explained that the real king, who Moliere was trying to oblige, is the audience because it is only the audience who determines if the play is high quality or not.
“It’s all about people,” and people really seemed to enjoy it!

Article and Photo by Joseph R. Fraia