Iconic Venue Fotografiska New York Plans to Relocate

Vivian Maier and Bruce Gilden's exhibits will close out the landmark gallery at 281 Park Ave. South

Fotografiska, the contemporary museum of photography, art, and culture, will relocate its New York location to better meet the needs of its visitors and expand gallery space in response to the ambitious visions of the artists it presents globally. After five years of strong ticket sales and a highly engaged membership base, the last day in its current building will be September 29th, 2024.

The planned relocation is part of the international museum’s strategic evolution and follows the success of recent openings in Berlin and Shanghai. In celebration of New York City, Fotografiska’s final exhibitions at 281 Park Avenue South will showcase the work of the late photographer Vivian Maier, running from May 31st to September 29th, and the legendary street photographer, Bruce Gilden, running from June 21st to September 29th. A new exhibition documenting 100 years of Nightlife in New York City will be presented in a temporary location following the closure of 281 Park Ave. South.

The Verōnika Restaurant and Chapel Bar will also be closing in mid-June, though a food and beverage program will be announced alongside the new location.

“At the core of Fotografiska is a dedication to inspiring new perspectives by amplifying some of the greatest artists of our time,” said Yoram Roth, Executive Chairman of the Fotografiska Board. “As it’s become clear that our current space is not conducive to this vision, our commitment to the city’s art scene remains unwavering.”

“I am immensely proud of what we have accomplished with Fotografiska in just five years, cementing our role as part of the New York arts landscape through unique exhibitions and dynamic programming,” said Sophie Wright, Executive Director of Fotografiska New York. “I have tremendous respect for our staff, some of whom have been with us since opening, and offer my sincerest gratitude for their dedication and talent that contributed to our successes. I look forward to sharing updates on our upcoming programming.”

The tenure at the Park Avenue South location is marked by 48 prominent and diverse exhibitions, covering global issues to local narratives, and drawing in hundreds of thousands of visitors from across the globe. Some highlights include the first exhibition celebrating 50 Years of Hip-Hop, the first-lifetime retrospective in the US of David LaChapelle’s work, introducing Daniel Arsham’s photography work, and premiering Andres Serrano’s Infamous series. The museum also mounted exhibitions of New York City-based artists such as Kia LaBeija, Adrienne Raquel, Martin Schoeller, Pixy Liao, and Ethan James Green, as well as ground-breaking shows by international artists such as Josèfa Ntjam, Hassan Hajjaj, and Tony Gum, among others. Several of these inspiring and provoking exhibitions are touring Fotografiska’s international locations in Berlin, Stockholm, Tallinn, and Shanghai.

Since its opening in 2019, Fotografiska’s New York location has been a cornerstone of diverse cultural exploration in the heart of Manhattan. Through the challenges of the pandemic, the institution remained steadfast in its mission to inspire new perspectives that contribute to a more conscious world.

As Fotografiska New York navigates the process of relocating, it extends its deepest gratitude to its dedicated community, members, and partners for supporting us on this remarkable journey. The museum remains committed to enhancing the unique cultural life and diversity of New York and looks forward to announcing its new location.

Renowned and celebrated New York photographer Joseph Fraia will attend the closing event and publish a reportage for Livein Magazine.

About Fotografiska

Fotografiska is the contemporary museum of photography, art, and culture. Founded in Stockholm in 2010, Fotografiska is a destination to discover world-class photography, eclectic programming, elevated dining, and surprising new perspectives. Guided by a mission to inspire a more conscious world through the power of photography, art, and culture, Fotografiska produces dynamic and unparalleled rotating exhibitions, spanning various genres in inclusive environments. With a dedicated international community and locations in Stockholm, New York City, Tallinn, Berlin, and Shanghai, Fotografiska is the premier global gathering place for photography and culture.

newyork.fotografiska.com | @fotografiska.newyork

About Joseph Fraia

Joseph Fraia is a renowned New York photographer, known for his versatility and artistry across a diverse range of subjects. As a resident artist member at the prestigious Salmagundi Club NYC, Joseph Fraia’s work reflects a mastery of both fine art and commercial photography. With over 15 years of experience, his career has spanned from fashion to documentary photography, capturing compelling stories with a distinctive aesthetic. His work has also gained international recognition through ad campaigns, where his eye for detail and creativity shine. A senior contributor at Livein Magazine, Joseph Fraia continues to influence the visual arts world with his ability to fuse technical skill with artistic vision. His contributions to both New York’s art scene and the global creative landscape affirm his status as a celebrated figure in contemporary photography.

jrfstudio.com | @jrfstudio

Lost New York: An Exhibition of Vanished Landmarks at the New-York Historical Society

Until September 29 at the New-York Historical Society we can enjoy one of the most interesting and rare exhibitions of the Big Apple.

The Value of Preserving the Past

In a city that constantly reinvents itself, the significance of remembering what came before is paramount. New York City, a metropolis of ambition and contradictions, has always been in a state of flux. It is a place where entire neighborhoods are transformed overnight and architectural marvels are replaced by modern skyscrapers. Yet, to fully understand New York as it stands today and to shape its future meaningfully, it is crucial to appreciate the layers of history beneath its streets.

The current exhibition, "Lost New York," on display at the New-York Historical Society until September 29, serves as a reminder of the landmarks and spaces that once defined the city, many of which are now lost to time. Through illustrations, paintings, photographs, and artifacts, the exhibition provides a journey into Gotham’s forgotten landmarks and spaces, shining a light on the iconic structures that once adorned the city’s landscape. It’s an invitation to reflect on the city’s past and its role in shaping the urban environment we navigate today. These lost buildings and public spaces evoke memories of a New York that no longer exists but continues to live on through documentation, storytelling, and exhibitions like this one.

Gotham's Lost Treasures: Icons of a Bygone New York

Among the most remarkable sites explored in the "Lost New York" exhibition is the Croton Reservoir, an essential element of the city’s early water supply system. Located where the New York Public Library and Bryant Park now stand, the massive structure was a marvel of engineering in the 19th century. Its towering granite walls were not only functional but also offered sweeping views of the city, acting as a public promenade. As New York’s needs evolved, the reservoir was demolished in the late 19th century, replaced by the library’s iconic Beaux-Arts building. However, fragments of the reservoir’s history remain beneath the library, hidden from view but never forgotten.

Nearby, the Crystal Palace once stood in all its glory, a shimmering glass-and-iron exhibition hall that was the pride of New York in the 1850s. Built to rival London's famous structure of the same name, it hosted the Exhibition of the Industry of All Nations, showcasing technological innovations of the era. Its destruction by fire in 1858 marked the end of a brief but important chapter in the city’s architectural history. Today, Bryant Park’s serene green space belies the dramatic history that unfolded there.

Federal Hall, the original site of George Washington’s inauguration and the first U.S. capitol building, is another lost treasure. The original building, located on Wall Street, was demolished in 1812. In its place now stands a 19th-century structure that serves as a reminder of the city’s deep historical ties to the birth of the nation, but the significance of the original space is often overlooked.

Other fascinating losses include the Hippodrome, once a grand theater where Vaudeville thrived in the early 20th century. It was the largest theater in the world at the time of its opening in 1905, but by 1939, it was gone, replaced by an office building. Similarly, the iconic speakeasy 21 Club, synonymous with the Prohibition era and a favorite haunt of celebrities, shuttered its doors in 2020 after nearly 90 years of operation. Its closure marks the end of an era, and its absence is felt deeply in the cultural fabric of the city.

The Latting Observatory, a towering structure that predated the Empire State Building in offering bird’s-eye views of the city, and the elevated railroads that once crisscrossed Manhattan, providing crucial public transportation, are further examples of lost infrastructure that shaped daily life. The once ubiquitous "Omnibuses," horse-drawn carriages that served as the city’s first public transit, also disappeared as the city modernized, replaced by motorized transportation. These iconic but forgotten elements of New York's history remind us of the city’s continuous push toward progress and the price that progress exacts.

A Testament to History and Memory

The curators of the "Lost New York" exhibition have done a magnificent job of piecing together the fragments of the city’s past, allowing visitors to imagine what these lost landmarks once meant to New Yorkers. Through their careful selection of artifacts, photographs, and stories, they’ve created a compelling narrative of New York’s evolution, a reminder that every corner of this city is steeped in history.

The New-York Historical Society, in hosting this exhibition, continues to play an essential role in preserving the memory of the most fascinating city in the world. By documenting the lost spaces and landmarks that shaped Gotham, they provide the city with a crucial link to its past. This exhibition is more than just a collection of old photos and maps; it is a living testament to the city's ever-changing identity and a must-see for anyone who cherishes the legacy of New York.

For tickets and info check the link here.

Article and photos by Joseph Ralph Fraia - jrfstudio.com - @jrfstudio

Manet/Degas Exhibition at The Met

The Metropolitan Museum of Art is presenting a new exhibition, Manet/Degas. It explores the relationship and works of two of the most influential artists of modern art, Edouard Manet and Edgar Degas.

Manet and Degas were friends, rivals, and inspirations of one another. They first met in the Louvre in front of the painting of Infanta Margarita Teresa. Degas was etching a motif from the painting when Manet came and commented that drawing outside the studio without any preparation beforehand was bold and unseen. That was the start of their long-lasting relationship.

The two artists did not keep correspondence but wrote about one another to their friends and family. Degas even drew multiple portraits of Manet, showing admiration for his colleague. Both artists admired each other’s work but, at the same time, stayed critical. One of the most interesting and still unexplained situations happened when Degas presented Manet and his wife with a painting that pictured Manet sitting on a sofa in a very relaxed position, listening to his wife playing the piano. The next time Degas came to Manet’s apartment, he saw that the part of the painting that depicted Madame Manet’s face was torn off. There are no definite explanations, but one is that Manet did not like how his wife’s face was presented. Instead, he ripped it off of the painting and drew his portrait of her.

Manet and Degas often used the same motifs in their works. Once, they even used the same model for their painting. It was an actress, Ellen Andree. Degas portrayed her in his painting “In a Cafe,” where she sits with a man. The couple looks very distant, as they are separated by an invisible wall. The woman looks down melancholically, thinking about something we will never guess.

Manet’s painting “Plum Brandy” was drawn a year later. Here, the woman is dressed nicer than in Degas’s work and looks a little bit more happy. Still, similarly to Degas, there is melancholy in her eyes. This painting was very controversial. The woman of good status and well brought up was not supposed to be sitting in a cafe on her own, especially considering that she had a cigarette in her hand and a plum brandy in front of her. We can see, though, that she did not touch her drink or her cigarette, making us question the status of this woman and the circumstances that made her come to the cafe alone.

Edouard Manet passed away in 1883, leaving Degas alone for 34 more years until he passed in 1917. Degas was shaken by Manet’s death and started actively collecting his paintings. Degas was able to get about 80 works by Manet, preserving some of his most valuable pieces.

This exhibition is an amazing opportunity to dive into the world of 19th-century France and get acquainted with two of the most important artists of the time. If you decide to go, make sure to plan some extra time. You will have to enter the online queue before being allowed to enter the exhibition, and that might take some time.

Open through January 7, 2024.

Article by Mary Zakharova

Floral Sculptures Inspired By Global Destinations At Hudson Yard

Today I went to Hudson Yards to see the floral sculptures inspired by different countries: Canada, India, Puerto Rico, Japan, France, Ghana, and others. The exhibit is called VOYAGE and is presented on the first floor of Hudson Yards shopping mall. 

Local New York City florists took part in the exhibition. Each of them had to decorate 10-foot mannequins with fresh flowers. 

I loved the idea. Every florist used a specific color to represent the destination they chose. For example, for Canada, Whistler, the florist used white flowers that were coming down the dress train, to show the snowy mountains of Whistler, one of the most famous skiing destinations in the world. 

Another sculpture representing Spain was done in completely different colors. The mannequin was covered in red and golden yellow flowers and represented the tradition of bullfighting with its heat and passion. 

Finally, the florist that represented India showed a traditional Saree, a very colorful and uniquely draped gown that dates back thousands of years. Made with different colored roses, it is a bright and elegant composition that does a great job representing the traditional fashion of India. 

One thing that disappointed me about the exhibition was that the sculptures were spread throughout the first floor, and even though it makes sense knowing that the exhibit is presented in a shopping mall, it was still a little distracting with a lot of people all around and the sculptures positioned in all the different places. I found out I missed a couple of them even though I thought I saw everything walking around the first floor. 

Nevertheless, the exhibition is very interesting and does a great job portraying different countries in their own unique ways. And what makes it even more exciting is the interactive part. Everyone can get a paper and vote for their favorite sculpture, and if you find yourself particularly charmed by the flowers, you can visit a class taught by a local florist. 

Article and photos by Mary Zakharova

Art of Native America at The Met of New York

If you are interested in the history of Native Americans you should absolutely go see the Art of Native America exhibition. It brings you back to the 19th, early 20th century, and shows you the culture, fashion, and everyday items of Indigenous people. 

The exhibition displays works of more than fifty Native American groups, letting us see the similarities and differences between them, and make connections. 

What I was most fascinated by was the clothing. Every little detail had meaning, and each ornament was sewn in on purpose. One of such clothes is a man’s coat, which was made with deerskin. The coat has white and indigo outlines - these colors are classic for the Lenape people. The ornaments of the coat signify physical and spiritual health and well-being. 

Another piece of clothing, the parka, which comes from Alaska, honors all the animals that died for the creation of this clothing: dried seal intestines help create the parchment-like texture of the parka, and the birds’ beaks and feathers were used as a decoration. 

Clothes could also show the status of the family. For example, one of the women’s dresses had a lot of beading, as well as highly-priced elk teeth and shells. 

This made me think about what I wear myself, and how it correlates to who I am. Do I choose my clothing based on comfort, or am I trying to show my personality through it? It is very interesting to think how fashion varies in different times and cultures, and what it is based on. 

The other thing that I enjoyed seeing was everyday items like combs, baskets, and bowls. This helped me imagine what the everyday life of Native Americans looked like, what their activities were, and what they cared about. And in the same way as with clothing, each element had its meaning. The carvings on combs, and the ornaments on baskets - all of those represented the culture of the Indigenous people. 

There was definitely a lot to see and learn about, and it was a great first step for me to get to know a new culture that I had never encountered before. Art of Native America helps you dive into history in a very friendly way that makes you want to discover and see more. 

Article and photos by Mary Zakharova

Today 8/21 the sensational exhibition “Bitter Sweet" opens its door at the Tenri Cultural Institute in New York

Japan Contemporaries | Series 2

BITTER SWEET

Curated by Motoichi Adachi and Kyoko Sato

Artists:

Debuting in the US from Japan:

Koyuki Sakamoto, Sugako Hamazaki, Tomo, Yoko Morishita

Guest artists:

Joseph Ralph Fraia, Ola Rondiak

Reception: Friday, August 25, 2023 6-8pm

Monday, August 21 - Saturday, August 26, 2023

[Aug 21-24, 12-6pm | Friday, August 25, closed, reception only | Saturday, August 26, 12-3pm ]

Tenri Cultural Institute, New York | 43A W 13th St, New York NY 10011 | 212-645-2800

Tenri Cultural Institute is a non-profit organization founded in 1991. The mission of the Institute is to promote the study of Japanese language, the appreciation of international art forms, and to foster understanding and harmony in the community.

Through its diverse programs, the Institute hopes to draw together the multi-ethnic people of New York City to engage in cross-cultural dialogue and exchange.

The Institute is comprised of Tenri School of Japanese Language and Tenri Gallery.

The Institute is supported by the Tenrikyo Church, Headquarters in Tenri, Japan.

This exhibition is the second installment in a series of exhibitions that aims to collaborate with Emmy Award-winning writer Motoichi Adachi and Kyoko Sato, a renowned curator based in New York known for her expertise in Japanese culture. The overarching goal of this series is to showcase the talent of Japanese and global artists who produce captivating works across various genres and backgrounds while integrating them into the forefront of the global art scene. By facilitating meaningful interactions and inspirational exchanges between these Japanese artists and leading figures in New York's artistic community as well as those working internationally, the series aims to foster a dynamic and impactful artistic dialogue.

***

"I cut through the art world with the sensibility that has long been active in the world of Japanese television. We want to bring a new wind of free and unrestrained ideas to a world that values old traditions. Beautiful works are beautiful and interesting works are interesting, even if they are not from famous art universities or patronized by influential galleries. We want to let attractive artists run amok in the world. I would like to try an unconventional challenge this time.”

— Motoichi Adachi

***

When we translate the term "Bitter-sweet" into Japanese, it encompasses the essence of ambiguous Japanese culture and language. In Japanese, the translation of "sweet" does not have a direct equivalent, but rather implies a sense of "somewhat" or "mildly." On the other hand, in English, the term "bitter" and "sweet" are used together to describe the simultaneous experience of pleasure and suffering that arises when contrasting tastes are combined.

Until now, our world has been understood in terms of dualism based on Western philosophy. Body and soul, moon and sun, woman and man, peace and war, front and back, success and failure, West and East, wealth and poverty, ordinary and extraordinary, positive and negative....

But can we really be divided by this dualism? In New York, same-sex marriage was legally recognized in 2011, followed by LGBTQ human rights. This is important progress that promotes the ideal that everyone has the right to be happy, no matter what gender or sexuality they are. More children have access to information about queer identities, such as the possibility of one being "genderfluid". Genderfluid people, regardless of the body they have, fluctuate between genders as the name represents. In other words, they are outside the binary, coming and going between genders. They cannot be divided by dualism. Perhaps our world is moving toward a world of "ambiguity," as in Japanese culture.

— Kyoko Sato

Media sponsor by Livein Magazine

And now an insight on the artists presented in the exhibition:

Koyuki Sakamoto, originally a pastry chef, has ventured beyond the realm of cakes to create a unique genre of sugar art on large canvases. While sugar is typically associated with sweetness rather than bitterness, her artistic creations transcend conventional boundaries. Her motifs predominantly draw inspiration from animals found in Oriental legends, such as dragons and Suzaku, without featuring any Western counterparts. The color palette she employs consists of pastel shades, exuding brightness and gentleness while intentionally avoiding any elements of darkness or harshness. Interestingly, the cake decorations she incorporates originate from the West, resulting in a fascinating convergence of Eastern and Western influences in her work.

Sugako Hamazaki, an artist based in Hiroshima, resides in a city deeply affected by the aftermath of World War II. Hiroshima, along with Nagasaki, experienced the devastating impact of the atomic bombs dropped by the United States, leaving a lasting shadow of cruelty in the lives of its people. In the years following the war, efforts were made to rebuild and bring hope amidst the darkness that enveloped the city. Hamasaki incorporates the "foils" that emerged during this postwar period into her paintings as artistic materials.

The central theme of her work revolves around capturing the last sights, represented by light, witnessed by those who tragically lost their lives in the river immediately following the atomic bombing, symbolizing the darkness of that tragic event. Through her paintings, she expresses the essence of light, serving as a testament to the resilience and spirit of those affected by the darkness of that period in history.

Tomo's artistry embraces the use of Japanese calligraphy ink, rooted in China, and coffee from Ethiopia, associated with Islamic culture, as her unique painting materials. This fusion allows her to incorporate influences from both the East (China) and the Middle East (Islamic culture). Furthermore, Tomo includes depictions of the Buddhist "Heart Sutra" originating from India, showcasing the cultural impact of South Asia. While historical focus was often on the exchange between the East and West, Tomo's artwork unveils a broader cultural presence. Her creations illuminate the profound influence not only of the East and West but also of the Middle East, South Asia, and Africa. This recognition underscores the extensive range of diverse cultural expressions, illustrating the interconnectedness of regions and their valuable artistic contributions to the global stage.

Yoko Morishita's artistic theme centers around the "liberation of women's minds." Throughout history, our society has been predominantly male-centered, and breaking free from these long-standing conventions requires time, ingenuity, and concerted effort. Morishita's approach and artwork, shaped by her own Japanese background and personal experiences, go beyond portraying women as a mere contrast to men. Instead, she offers a direct and unapologetic exploration of female beauty.

Morishita's work is attuned to the growing recognition and appreciation of women in the art world. By aligning with the natural demands of the current era, her art serves as an act of empowerment and encouragement for women. It reflects a sensitivity towards the evolving role and visibility of women, contributing to the ongoing narrative of female empowerment and challenging societal norms.

Joseph Ralph Fraia, an American of Italian descent, holds a perspective that Eastern women are seen as exotic, mysterious, graceful, opulent, and seductive from a Western viewpoint. He believes this captivating allure will endure even as globalization blurs the lines between East and West. Against the backdrop of notable instances of violence targeting Asian women in pandemic-stricken America, Fraia's perspective on appreciating Asian women becomes particularly valuable. It offers insight into cultural perceptions, challenges stereotypes, and emphasizes the importance of respect and appreciation for diverse cultures in fostering a more inclusive society.

Ola Rondiak, born in the United States, belongs to a Ukrainian family with a rich history. During World War II, Rondiak's grandmother, Paraskevia Michniak, was imprisoned by Russian occupiers. Despite the harsh conditions, Paraskevia displayed remarkable ingenuity by using fish bones as needles and repurposing cloth and threads from her own garments to clandestinely embroider religious Ukrainian icons. Under the luminous nights of the northern latitudes, she devoted 13 years to creating a collection of intricate artwork, carefully concealing it whenever possible. After her release, Paraskevia smuggled the artwork to her family in the United States. Ola often incorporates motifs adorned by her grandmother in her own work. War is hell, and art is salvation.

Earth Poetica: Earth Sculpture Made Out Of Plastic Waste Is Now On Display

Earth Poetica is a project created by Israeli artist Beverly Barkat to attract more attention to the ecological problems humanity is facing nowadays. 

Excessive waste, as well as fossil fuels, have been creating a threat not only to nature but also to our future life on Earth. That has been widely talked about for the last several years, but there is still a lot that needs to be done. 

By introducing her project, Earth Poetica, Beverly Barkat was hoping to attract the attention of more people and show the beauty of our planet, and the importance of taking care of it. 

For three years Beverly Barkat has been collecting plastic litter. She tried to include as many people in the process as possible: first, she asked her friends, and then more and more people started finding out about the project and sending the woman the recyclable waste they had. Soon the artist’s studio was covered in plastic packaging, cans, and bags. All of those she used to create a model of the planet Earth. 

I was very impressed by the project when I first heard of it and decided that I want to see it. And when I did, I instantly fell in love with it. The model of the Earth, taller than me, a 5’6 woman, is fully made out of plastic. On two sides of the globe, some windows let you peer inside and see our Earth from a different angle. 

What made it so beautiful was how sunlight reflected on the plastic. It made everything look real: water, continents, and islands. 

The message is also pretty obvious, which I believe is very important when trying to reach larger audiences of different statuses, ages, and education. When I was there, both old and young people stopped to look at the plastic earth and read about the project. 

The one downside that I think might affect the number of people seeing the sculpture is that it is placed inside an office building. The entrance is free, but it is hard to find it if you don’t know exactly where you are going. 

In conclusion, Earth Poetica is a must-see. If you weren’t passionate about an eco-friendly lifestyle and reducing the waste you produce, this project will make you change your mind! You don’t believe me? Come and see for yourself! 

The sculpture is located at 3 World Trade Center. 

Article and photos by Mary Zakharova 

Van Gogh’s Cypresses at The Met - A Must-See of this Summer in New York

When I found out that the Metropolitan Museum is holding Van Gogh’s Cypresses exhibition, I knew I was going to see it. Van Gogh is one of my favorite artists; he has fascinated me throughout the years, so I couldn’t miss it.

And finally, the day came! I saw Van Gogh’s Cypresses! The exhibition was amazing. A big room decorated with green right from the start made you feel like you were in one of Van Gogh’s paintings.

The exhibition was divided into three parts. The first part was of the most famous Cypresses paintings, one of which, of course, was Starry Night. It was impossible to get close to the painting. People were taking pictures, discussing the artwork, taking pictures again…

Starry Night, no doubt, is one of the gems of the exhibition, but, if you decide to see Van Gogh’s Cypresses, it’s good to keep in mind that Starry Night is owned by the Museum of Modern Art, and you will have a chance to see it even after exhibition is over, so pay attention to the other paintings as well!

For example, Wheat Field with Cypresses. As with any of Van Gogh’s paintings, this one has a very distinctive style with the whirls in the sky and bushes that make you almost feel the wind. The painting is very airy, and the colors of the sky, blue, lilac, and aquamarine make you feel like you are in a fairytale. You can’t keep your eyes away from the artwork.

Another painting, Landscape from Saint-Remy, gives you the feeling of peace. Looking at it, I could feel the smell of grass and rain in the air. With this painting, Van Gogh announced the series of his cypresses’ motives.

The second part of the exhibition focused on less famous Van Gogh’s works. They were his paintings of the cypresses and olive trees, as well as the sketches of his future paintings. That for me was a story of his love for the South of France, his way of expressing his feelings, experimenting with forms and colors.

Finally, the last part of the exhibition tells us the story of Paul Gauguin and the visit he paid to Van Gogh in October 1888. Van Gogh was decorating the room for his friend, and the paintings we see on the walls of The Met take us through Van Gogh’s first idea for the artworks to the final version he made before Gauguin’s arrival.

One more thing to check out is Van Gogh’s letter to his brother Theo. The letter has a sketch of one of his paintings that the artist drew to show the idea to his brother.

One downside, and an important thing to know about the exhibition, is that it is extremely crowded, and it might take you some time to get in. First, you have to sign up for the online queue, and then, when it’s your turn, you need to get into the actual line to the exhibition. If you have a chance to come in the morning, right when the museum opens, that would probably be the best time. You won’t have to wait in an online queue, and you will probably miss the “rush hour”.

The exhibition has Van Gogh’s works from all over the world, so don’t miss the opportunity to see these amazing paintings and fall in love with the artist.

Article and photos by Mary Zakharova

Josh Kline: Project For a New American Century

Josh Kline’s exhibition “Project For a New American Century” is now on view in the Whitney Museum. It explores the most recent political and social issues like automation, climate change, diseases, and the consequences they can lead to. 

For me, the exhibition turned out to be controversial. Interesting ideas and art considering the topic of unemployment and other social issues Americans face, combined with pretty basic points on the danger of automation and the terrible consequences it can lead to. The ideas of a post-apocalyptic future where intelligent software takes the place of regular employers have been widely discussed for a while now, and they state the same thing: automation is dangerous, it will lead to massive unemployment and hunger, and, in the end, will destroy our society. 

At the same time, there were some new and interesting perspectives on the matter. For example, the idea of unemployment being contagious and spreading like a virus. It made me think of a wave that starts low and grows bigger and bigger, spreading across the cities. One of the exhibit's rooms shows glass virus cells with all the items employees had to bring home from their desks once fired: thermoses, family pictures, pens and pencils, and shoes. All these different items tell us that very different people get fired: men and women of different ages, races, wealth, and professions. There is no escape. Unemployment spreads like a virus and can come to your door when you least expect it. 

Another idea that I found creative was the metaphor of employees being thrown out like trash. The museum room was filled with bags of cans, bottles, and… people. All over the floor there were mannequins of men and women inside plastic bags, thrown out of their jobs like trash is thrown out of the bins. That made me wonder if big corporations actually value employees or if they are just a tool that, if not needed, is being thrown away. 

I can’t recommend “Project For a New American Century” to all audiences because most of the ideas described have already been discussed in books, magazines, and TV shows. But there definitely were interesting angles that I’ve never considered before, and if, after this article, you got curious too, the exhibition is worth exploring. And suppose you are only now getting acquainted with the idea of utopian and dystopian consequences of automation. In that case, Project For a New American Century is a great way to start the journey.

By Mary Zakharova

Embrace The World From Within - Thought-Provoking art installations by Louise Bourgeois, Miles Greenberg, and Yoko Ono

Embrace The World From Within features the works of Louise Bourgeois, Miles Greenberg, and Yoko Ono. It “revolves around physical and metaphorical aspects of the embrace” (information text from the exhibition). 

The exhibition is placed in three rooms, each of them dedicated to one of the artists. As you walk into the first part of the exhibition, you find yourself in a dark room with only a bench to sit on and a large rock in a glass cube. This is Miles Greenberg’s performance “The Embrace”. There, two people blinded by white contacts, sit on the rock very close to one another, in an intimate connection. As time passes, visitors can see how slowly these two people become one, how they get emotionally and physically closer, almost merging into one another. 

Unfortunately, the performance is only live on Saturdays, so if that is what interests you more than the other two parts of the exhibition, make sure to come on that day. 

If the live performance is not necessary for you, you can see it projected on the wall in the room throughout the day every day. 

The second room leads to Yoko Ono’s gallery. It consists of two installations, “We’re All Water” and “Ex It”. The first work presents 118 bottles filled with water, each having a name of a famous or infamous person on it. “We’re All Water” makes you think about our similarities. No matter the status, job, nationality, race, gender, or anything else we see as our differences, we are all the same, we are all people. 

Yoko Ono’s second installation was the most memorable and important for me personally. The room is filled with coffins, big and small, with different plants growing out of them. The installation represents the connection between life and death. These two concepts intertwine becoming one. The installation makes the idea of death less frightening by showing us that where there is death, there is also life, and there wouldn’t be one without the other. 

The third and last room presents works of Louise Bourgeois, spanning through the 1960s to 2000s. The artist used different materials and different shapes to show the inner conflict through her sculptures.

Embrace The World From Within is located in Faurschou, Greenpoint, and can be viewed through September 17th, 2023. The entrance is free.

Article and photos by Mary Zakharova

Vanessa Rothe Fine Art presents: “Americans in Paris, Fashion” - April 16th to 23rd - Vanessa Rothe Fine Art Gallery

At the Salmagundi Club - 47 5th Avenue New York, NY 11003

Info at +1 (949) 280 -1555 and www.vanessarothefineart.com

The exciting Vanessa Rothe Fine Art Gallery’s fine art project, “Americans in Paris” now in its 7th year, aims to inspire today’s leading fine artists in Realism and Impressionism to follow in the footsteps of many historical masters who had traveled to Paris to be inspired by the splendors of France to find new alluring foreign subjects and themes. Inspired by the great American painters before them, such as Sargent, Whistler and Cassatt to name a few, a group of American realist and impressionist artists would travel to Paris to draw inspiration from the city of light, architecture and fine art. There they attended fine museums, examined the masters, absorbed the culture, shared ideas and painted together with the goal of reaching the next level of mastery in their work. The group studied advanced group composition in the museums, and Paris ateliers where historically so many important artists had found inspiration and formed connections before. Part of their goal is to recreate the artist comradery that exisited between Parisian artist creative groups of the past such as the Impressionists, and artist, writers such as Hemmingway and Fitzgerald, Picasso and patrons like Gertrude Stein.

Since beginning in 2015, the art project has enjoyed various trips to Paris, live workshops in Provence hosted by Workshops in France, numerous successful fine art exhibitions not only at Rothe’s gallery, but at some of the leading galleries in America and Paris such as Arcadia Contemporary, Galerie Prince de L’oeil and the Salmagundi Club in New York. They have continued to share what they learn, giving live demonstrations, inviting guest lectures on art history, and presenting new concepts and themes to the galleries and at fine art schools. They are making art history.

Artist Michelle Dunaway shares her thoughts on the art project. “ Being a part of AIP has been an incredible experience. Traveling together to Paris and Provence we’ve delved into the history of painting by studying museums works and building camaraderie plein air painting together . Exhibiting our work as a group in various shows in Paris, NY and CA has been a beautiful culmination representing our time with one another as artists while furthering our knowledge and inspiration while traveling abroad “

Derek Harrison - Crimson

This year the Americans in Paris fine art project and painters group adopts one of the gallery's annual themes: Fine Art and Fashion. For this stylish exhibition, over thirty of the leading realists and impressionists in America are currently creating new works inspired by fashion designer icons, contemporary fashions, and fashion photography for April of 2023 in New York. The exhibition will run April 16th to the 23rd, with special events on the 20th and 21st afternoon evenings. It will take place in the beautiful parlor of the Salmagundi Club at 47 on 5th avenue in Manhattan. The Americans in Paris group includes artists such as Michael Carson, Quang Ho, Adrienne Stein, Vincent Xeus, David Kassan, Derek Penix, Charles W. Mundy, J.Louis, Suchitra Bhosle, Aaron Westerberg, Jeremy Lipking, Michelle Dunaway, Scott Burdick, Susan Lyon, Kyle Stuckey, Derek Harrison, Vanessa Rothe, Jesse Powell, Joseph Lorusso, James Kroner …and many more. There are currently 32 artists in total.

“ My work “An Evening in Paris” was painted in the studio shortly after my wife and I came back from our honeymoon. This painting is about capturing the life of the city—where the hustle bustle is met with the importance of slowing down and enjoying the company of others over food and wine. I also tried to incorporate that sense of two worlds as one with the colors and lighting—the overall cooler blue tones surrounding the warmer and intimate environment of the cafe. Many parts of the painting are painted loosely and more impressionistic in order to give the eye an opportunity to rest in a busy seen.” Says artist Kyle Stuckey

Aaron Westerberg - Pink Kimono

Experience the runway in art this April, from fur coats, to the iconic Chanel and Audrey Hepburn, original paintings of Paris and the Eiffel tower by night, colorful kimono robes, ballet tutu’s, French scarves, vintage fashion photos re-created into new paintings, bold modern New York and Paris cityscapes and modern figurative works, Works will be available in their small study versions as well as large scale museum quality works. Most of the works presented for sale will be oil paintings, with a few affordable watercolor fashion sketches as well.

“Fashion and fine art go hand in hand. Design, color, rhythm and flow all stem from the same desire to create something beautiful. My painting, "Platinum" was all about movement, subtle detail and mood. Creating a piece that captures that essence is an exciting challenge that pushes me into the creative territory I thrive within. Vanessa is an exceptional director and curator, combining these art forms with an incredible roster of artists. This will be something new and exciting.” - Says artist Derek Harrison who will have three beautiful figures in the exhibition.

Collectors and artists are encouraged to attend not only for the exhibition and sale, but for the exciting array of events as well. To help convey the similarities in the design concept stage of fashion and works of fine art, the artists will be offering a live “Demo Day” sponsored by Rembrandt Royal Talens, on April 20th in the afternoon from 3:00 to 6:00pm where three of the AIP artists Michelle Dunaway, Vanessa Rothe and Aaron Westerberg will demonstrate their process and discuss sketching for fashion and alla prima painting with art supplies. The evening of the 21st, the curator Vanessa Rothe will give a beautiful one hour slide show presentation tracing the parallels and cross inspiration between fine art and fashion, over the last one hundred years. From Victorian lace and Waterhouse, to mid century modernism and the women’s suit, to today’s contemporary realism.

The exhibition will include more than fifty new fine art works in oils and watercolor, as well as exciting fashion illustration works by Taiwan fashion artist PING YU and fashion photography. In addition it will have for sale an array of bespoke leather shoes by Francis Waplinger and one of a kind clothing by Detlev, Oliver and Vanessa Rothe using vintage, kimono and contemporary hand painted silk fabrics. Detlev Rothe, the curators father, was a well known fashion designer to the stars, creating one of a kind clothing for the Rolling Stones, Jimmy Buffet, and many famed actors from the silver screen such as Chevy Chase and Michael Douglas. Rothe herself started painting on silk at a young age for the family business, and in high school she was a watercolorist, before later becoming a professional oil painter. Fashion and Fine Art have always gone hand and hand in her life. She recognized the similarities between the two, especially in the initial design and concept stage and began having fine art and fashion shows to celebrate both genres of art.

“Part of my mission when creating the Americans in Paris group was to infuse the artists of today with exciting new subjects from Paris. To create exhibits with specific themes such as art and literature, the importance of learning form the masters, French architecture etc. This years exciting Americans in Paris event celebrates the stylish theme of fashion. We discuss the similarities in the creative process of both fine art and fashion. From initial concept of a dress, or idea for a painting, to collecting research and references, creating sketches and drawings, to making the final masterpiece. For this exhibition I asked our all star cast of American artists to be inspired by haute couture, fashion photography, hats, sunglasses, jewels as well as the beautiful cities of fashion such as New York and Paris. We can’t wait to share our new creations with the pubic in New York this April.” Notes Rothe.

The Exhibition and events this year were made possible by the following sponsors: American Art Collector Magazine, Rembrandt Royal Talens, Raymar fine art Panels, Workshops in France, Steven Stern Historical California Fine Art and ARC, the Art Renewal Center for the arts.

To find out more about the seven year history of the Americans in Paris fine art project, or to view the work online, please visit vanessarothefineart.com

Vanessa Rothe Fine Art Gallery (at the Salmagundi Club) 47 5th Avenue New York, NY 10003

(949) 280 -1555 www.vanessarothefineart.com

Kyle Stuckey - One Evening In Paris

Phenomenal ensemble of American artists interprets the many facets of fashion. April 16 to 23 "Americans in Paris, Fashion" exhibition at Salmagundi Club - 5th Ave, NYC - curated by Vanessa Rothe

32 top artists, 75 new works

Vanessa Rothe's Americans in Paris fine art project adopts one of the gallery's annual themes of FINE ART and FASHION as the AIP artists create works inspired by historical fashion icons and contemporary fashion and design for SPRING of 2023 in New York at the Salmagundi Club on 5th avenue.  With over 30 of the leading and award-winning artists in contemporary realism and impressionism, and featuring original fashion illustrations by Taiwan artist PING YU. Original Artwork of Paris and the Eiffel tower by night, CoCo Chanel, colorful kimono robes, Ballet, French scarves, vintage fashion photos created into new paintings, bold modern NYC cityscapes and modern figurative works, Paris cityscapes, and more. Bespoke leather shoes by Francis Waplinger and bespoke clothing by Oliver Rothe "OD" design, Vanessa Rothe Design using vintage and contemporary fabrics. From fur coats to the iconic Chanel and Audrey Hepburn, Cityscapes of New York and Paris will also be available in large-scale and mini-study versions. Experience the runway with both fine art and fashion with the annual exhibition from April 16th to the 23rd, 2023, in the splendid Salmagundi club parlor and online from anywhere in the world.

Special lectures and demos

Thursday, April 20th, from 3-6 pm. Live demonstrations by award-winning artists Michelle Dunaway and Aaron Westerberg

Friday, April 21st, 2023, from 6:30 pm to 9:30 pm. Slideshow lecture on the history of Fashion and Fine Art thru the ages 1900-2023 by curator artist Vanessa Rothe, ​followed by a slideshow by one of our Artists about their work and creative process.

​Learn more about the Americans in Paris artists group and fine art project or the VRFA Fine Art and Fashion Shows and History.

Sponsored by: American Art Collector Magazine, Rembrant Royal Talens, Raymar Panels, The Salmagundi Club NY, Workshops in France, Steven Stern Historical California Fine Art, and many others.

Aaron Westerberg - Pink Kimono

J Louis - Juliana

Vanessa Rothe - Modern Day Dior

APRIL 16th - 23rd, 2023 SALMAGUNDI CLUB, 5th Avenue NEW YORK

Vanessa Rothe's Americans in Paris fine art project and painters group adopts one of the gallery's annual themes of FINE ART and FASHION as the AIP artists create all new works inspired by historical fashion icons and contemporary fashion and design for SPRING of 2023. 30 top artists, 75 new works on 5th avenue in Manhattan, New York City.

Experience the runway with both fine art and fashion with the annual exhibition live or online from anywhere in the world.  Original Artwork of New York, Paris, and the Eiffel tower, CoCo Chanel, Kimono robes, vintage fashion photos created into new paintings, bold modern figurative works, and more. Bespoke leather shoes by Francis Waplinger and bespoke clothing by Oliver Rothe with "OD" design and Vanessa Rothe Designs. The show opens in SPRING 2023 at the Salmagundi Club NYC on 5th avenue and online from anywhere in the world.

Invited Artists: J.Louis, Michael Carson, Vincent Xeus, Jeremy Lipking, Quang Ho, Adrienne Stein, C.W Mundy, Derek Penix, Suchitra Bhosle, Michelle Dunaway, Aaron Westerberg, Scott Burdick, Susan Lyon, David Kassan, Shana Levenson, Derek Harrison, James Kroner, Kyle. C.Ma, Kyle Stuckey, Vanessa Rothe, Jane Hunt, Jesse Powell, Nicolas Martin, Patricia Watwood, Julie Snyder, Ping Yu ( fashion illustrator), Hope Railey, Joseph Lorusso, Alex Tabet, Kelley Mogilka, Mason Williams, and Joseph Ralph Fraia.

About the curator Vanessa Françoise Rothe 

Fine Art, Fashion exhibitions, and Art Projects in LA, NYC, and Paris

Born in Hollywood, California, Vanessa Françoise Rothe grew up ​in the artists' colony of Laguna Beach, CA, the daughter to a well-known German clothing designer to the Stars, Detlev Rothe, and her French mother, Jacqueline Ricaud, a fashion model, and French translator. She would come home from school to find Ron Wood or Kenny Loggins in her living room playing guitar with her father and was soon painting on silk to make custom jackets for the Rolling Stones with their iconic lips logo. She was constantly surrounded by fine art, fashion, fabrics, books on architecture, and music... and was, like many successful creatives, already drawing and designing at a young age. From sewing on coconut shell buttons to vintage Hawaiian shirts in her father's sewing workshop to learning about vintage rugs to hand painting silk shirts and jackets, Vanessa was immersed in fine art, music, decor, and fashion from the start.

In high school, she developed her own fashion style, combining influence from her French mother and one-of-a-kind fashion pieces from her father and styled her brother to help him win best dressed. She was taught how to sew by an older seamstress in town as well as the family Vietnamese tailor Nha Quang Vu, and was soon sewing her own prom dress and later designing her own wedding gown. After gaining degrees with top honors in business, graphic design, and literature at the University of San Diego and UCI, she lived and worked in Europe for six years with her husband, working as a graphic designer and fine artist and traveling to every country, viewing and taking classes on the history of art in museums, learning about architecture, fashion history, colors, fabrics, and gaining a world of knowledge and inspiration.

While she worked as an art director and graphic designer in Southern California, Rothe began to make her own line of dresses with denim and Kimono pieces on the side. She sold her limited edition and one-of-a-kind creations online as one of the first online shopping experiences as well as to dozen retail stores such as Rebel in Fashion Island Newport Beach. When online shopping first began, she created a small business making limited edition fabric handbags they called "Bagette" with unique vintage fabrics from around the world. Her current collection includes dresses, aprons, blouses, scarves, and handbags that are mostly hand sewn by Rothe or a local seamstress.

​In addition to her degrees in business and French literature, she attended two additional years at Laguna College of Art and Design fine art school receiving deans’ list top honors. Rothe continues to work as a professional fine artist and writer/editor for art world magazines, designing bespoke and limited edition clothing and curating top international fine art exhibitions worldwide.

VANESSA ROTHE FINE ART + FASHION EXHIBITIONS and EVENTS are the results of this creative upbringing and her constant need to create, be it with paint or textiles, and her desire to bring the two mediums together. View our EVENTS page to find out when our next Fine Art and Fashion exhibition or events may take place, and join us in "The Fine Art of Life."

Fine Art Photographer Joseph Fraia joins Sojourner Gallery in Hudson Yards, NY for its inaugural exhibit. Opening reception on February 09, 2023

New York - February 6, 2023 – New York fine art photographer Joseph Ralph Fraia is one of the artists joining the collective show ‘Sojourner,’ the inaugural juried exhibition curated by Kyoko Sato of the new Midtown location of Time Arts Gallery NYC that has its center of operations in the West Village.

The new gallery’s name is also Sojourner, and it will host its opening reception on February 9, 2023, from 6 to 8 pm.

Joseph will present the work ‘Glam Cowboy,’ his personal take on the exhibition's theme, centered on all the people who travel at, pass by, stop by, temporarily live, or cross paths in that spinning whirlpool of humanity and destinies that is New York City.

His muse in the artwork is Shinyong, a Japanese cross-dresser, performer, singer, and model who lives in Detroit but once in a while storms New York with her talent. In this artwork, she expresses the freedom of unleashed imagination that America allows, with its extremes and  excesses. Masterfully combining make-up from the kabuki theater tradition, the iconic American cowboy imagery, and the glam revolution from the City’s ‘70s club scene, the image summarizes everything that makes New York a unique place.

“I am very proud to present this work of mine, to which I have a special emotional attachment, in a new formidable art space in the heart of the new, futuristic neighborhood of Manhattan,” said Joseph when reached out for comments. 

According to Webster’s Dictionary, a sojourner is a temporary resident, a stranger, or a traveler who dwells in a place for a time.

Globalization is giving us a new dimension of space and distance. According to the last US Census, 36% of New York’s population is foreign-born, and the City’s art scene has been greatly influenced by such sojourners, who have significantly contributed to art history.

Historically, the center of art shifted from Europe to New York when preeminent artists moved West during the Second World War. The incomprehensible devastation caused by WWII triggered those sojourners to reconsider where they belonged and what belonged on their canvases. As a result, Abstract Expressionism was born: a rejection of the traditional, the rational, and the norm in exchange for an intangible expression of feeling. What world exists, or can exist, when it is no longer recognizable and doesn’t feel like yours? To stand still is not an option; one must go beyond to find new truths or create new ones.

We live in similarly challenging times. So who are the sojourners of these days? How are they manifesting their art, or what do they look like? This exhibition tries to answer that question.

Sojourners may be found in every aspect of our world and beyond, leaving as quickly as they arrive. In search of something new, they might merge with the existent or create a space in which they belong. But, ultimately, aren’t we all sojourners: we are born on Earth, we stay for a brief time, then we return to where we came from.

The Exhibition will run from February 9 through March 15, 2023

Opening reception is on February 9, 2023, from 6 to 8 pm

RSVP at https://www.eventbrite.com/e/527763112677

Located at 446 West 34th Street, 4th floor, NY, 10001

For info and inquiries, email newyork@timeartsus.com.

Artists: Andrew Chan | Arlene Rush | Chihiro ITO | China Blue | Chin Chih Yang | Ebenezer Singh | Egon Zippel | Franck Saïssi | Isolde Kille | Joseph Ayers | Joseph Fraia | Kate Fauvell | Kenji Kojima | Lilia Ziamou | Lily Kostrzwa | Loy Luo | Max Fujishima | Michele Brody | Nina Sobell | Ola Rondiak | Richard Rothenberg | Sadie Bridger | Seth Ellison | Taiyo Okamoto | Takuya Sugiyama | Tom Judd | Toshiki Hayasaka | William Evertson | Yoyo Xiao | Yuji Hamamura | Yukari Edamitsu | Zhang Lanjun | Zhang Zheyi