“Design is thinking made visual”
- Saul Bass
2024 NY AUTO SHOW: the best and the worst
The much-anticipated 2024 New York Auto Show kicked off at the Javits Center in Manhattan, captivating car enthusiasts from March 29 to April 7. Amidst the array of impressive releases, Hyundai, Kia, and Genesis stood out as frontrunners with their top-notch offerings.
Hyundai and Kia showcased their latest innovations, unveiling the 2025 models that left attendees in awe. The 2025 Kia K4 made a grand entrance, boasting cutting-edge features and sleek design that set it apart from the competition. Alongside, Hyundai wowed the crowd with the 2025 Santa Cruz and Tucson models, demonstrating their commitment to pushing boundaries in the automotive industry.
However, it was Genesis that stole the spotlight with its remarkable lineup of Concepts cars. Among them, the GV60 Magma, Genesis X Gran Berlinetta Concept, and the highly anticipated Genesis Neolun, a GV90 model with Futuristic Styling Elements left spectators spellbound. Genesis's dedication to pushing the boundaries of design and technology was evident, solidifying its position as a leader in luxury vehicles.
Ford, with its rich history and iconic models, made a profound impact at the show. As the company paid homage to the 60th anniversary of the legendary Mustang, attendees were treated to a journey through the evolution of this automotive icon. From its inception to the latest models, the Mustang has remained a symbol of power, performance, and American ingenuity. Its enduring legacy continues to captivate enthusiasts worldwide.
Among the myriad of new releases, notable mentions include the Lamborghini LM002, the Karma Kaveya, and the Porsche Macan EV. Each offering showcased innovation, luxury, and performance, reaffirming the auto show's status as a platform for industry leaders to showcase their latest advancements.
A delightful surprise awaited visitors in the form of a dedicated section featuring vintage Porsche 911 Carrera models. The Retro and vintage vibes of the Porsche 911 Carrera RS 2.7 and the Porsche 911 GT3 RS "Tribute to Carrera RS” evoked nostalgia and admiration among enthusiasts, highlighting the timeless appeal of these classic
Adding to the allure were iconic vehicles such as the Jaguar XJ220-N and the 1971 Stutz Blackhawk, which served as a reminder of automotive excellence through the decades. These timeless classics stood as a testament to craftsmanship, design, and innovation that transcend time.
In a nod to the future of mobility, the New Mini Cooper made waves with its fully electric version, marking a significant milestone in the brand's journey towards sustainability. Additionally, the introduction of a gas version for the first time underscored Mini's commitment to offering versatility without compromising performance.
Despite the excitement surrounding the new releases and iconic displays, there was a noticeable undercurrent of subdued tones throughout the show. The general economic downturn in the US was palpable, casting a shadow over the otherwise vibrant event. While the 2024 New York Auto Show showcased several groundbreaking innovations and exciting new models, it also served as a reflection of the challenges facing the automotive industry in the current economic climate.
In conclusion, the 2024 New York Auto Show offered a glimpse into the future of automotive excellence, with Hyundai, Kia, and Genesis leading the charge with their impressive releases. While the show featured an array of exciting new models and timeless classics, it also underscored the challenges facing the industry amidst economic uncertainty. Nevertheless, the spirit of innovation and passion for automobiles shone through, leaving attendees eagerly anticipating what the future holds for the world of automotive excellence.
Article and photos by Joseph Ralph Fraia - @jrfstudio - jrfstudio.com
Senses of Romantique: Indochine Villa
Celebrity Interior Designer Quách Thái Công’s new project - Indochine Villa - turns into reality a luxurious vision of class, style, and harmony between Eastern traditions and Western architectural canons.
A house, if used only for living, boasting, or showing off, is just a house – no more and no less. However, with Indochine, that house is no longer constrained within the limits of the usual architectural framework of a house, but rather a true work of art.
“Where love begins” in Indochine comes from the completed rough-in stage of construction and the finishing off stage, whereby the designer puts the “coolness” into the living space according to the female owner’s ideas. That “coolness” does not abide by the concept of safety, but necessitates a breaking of the rules and exceeding the limits of art’s creativity. Looking at designer Thai Cong’s work since he returned to Vietnam, we can see that this is a difficult problem to solve.
It can be said of Indochine that: “A project when completed, can be valued in the market, but become invaluable in terms of class and lifestyle”. Thus, in order for the designers in Thai Cong’s team to work together with the employer and find an optimal solution for the project, only a true, strong love, along with belief and passion are sufficient for fulfilling and bringing about the perfect cooperation.
The project is a grand villa, located in a prime landscape that has a classic Vietnamese style – namely countryside scenery, river and waterfront. Femininity should be the first priority – the Indochine theme has basically defined a nostalgic format, a way of life in which European features exist and seem to be more prominent than the indigenous nature. But how is that format converted into a new, unique and impressive style without losing the vibe of historical Indochine? Thai Cong’s excellent answer breaks the concept that seems to be an unbending barrier, with elements of architecture, decoration, visuals and installation arts.
A project that is large enough for the designer to “fly” with his ideas, big enough to easily create a “trap” if the designer does not know how to use the space in a proper manner, can easily create a chaotic mess. The re-arrangement of the detailed living space for the project is Thai Cong’s first daring step.
Understanding the psychology, personality, preferences, and needs of customers is Thai Cong’s talent, and is used in the design details. Based on the specific example of Indochine, that talent is used by Thai Cong as a work of art when creating the right level of “coolness” that is associated with the personality and desires of the owner.
Thai Cong’s ingenuity in decorating the space in Indochine is that the boundary of the private–common space has been blurred. If necessary, there could be a living room, dining room, garden, etc. but with just a few variations and clever arrangements of interior decoration details, everything is connected into one harmonious space. From architecture and layout to decoration and colors, everything is interconnected in a harmonious and smooth manner like the legato of a talented musician playing Beethoven’s Symphony No. 05.
In terms of visual effects, the color expression of the building is truly the ultimate artistic harmony, with this detail being most visible in the primary bedroom of the house. In places, the simplified color range displays the stark contrast between black and white, while the bathroom is a particular highlight with decorative patterns and colors imitating the fanciful beauty of marble veins, creating a sense of magnificence, purity, and relaxation in a private space. In general, throughout the project, Thai Cong uses colors in a special and distinctive way that is neither eccentric nor bizarre, and which has charisma but also harmony, closeness, and affection, creating a familiar, well-known feeling.
The “evocative” element of Indochine’s imprint is clearly shown – a large porcelain vase with blue and white enamel, decorated with old Asian characteristics that were usually found in noble families, and ancient porcelain dating back to the Qing Dynasty, made by the top pottery kilns of Canh Duc Tran. Another “evocative” angle is the lacquer paintings, a beautiful Vietnamese tradition.
The “evocation” of Asian features is hidden in the European nature of the work – thanks to Thai Cong’s variations in Indochine, the Asian - European formats appear to be hidden. The only prominent thing is the luxurious, exquisite, romantic, sophisticated, and splendid style that is called Thai Cong along with the gentle, loving, smooth, and shy style of an Indochina girl. A girl educated and raised in the perfect family tradition, with all four virtues of housekeeping – skills, beauty, appropriate speech, and moral conduct – so that anyone who meets her will be enchanted and fall in love.
INDOCHINE VILLA
Location
HÀ NỘI CITY, VIETNAM
Category
VILLA
Area
500 m2
Interior Designer
QUÁCH THÁI CÔNG
Project year
2021
“Using the present to reminisce about the past, bringing European features together with an Asian essence; being unconventional, daring and distinctive, shaped with elegance and nobility but full of passion and familiarity: these words best describe architectural work with a nostalgic name – Indochine. And I call it ‘where love begins.’”
— Quách Thái Công
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